PORT-AU-PRINCE, Haiti - France’s national anthem blared across the tarmac on Wednesday as Nicolas Sarkozy made the first visit ever by a French president to Haiti, once his nation’s richest colony — offering aid to a country prostrate after a catastrophic earthquake.

Sarkozy promised $370 million over two years to support Haiti during its reconstruction and announced France’s decision to forgive Haiti of its $76 million in debt.

Moments earlier, Haitian President Rene Preval greeted the French president as a brass band played the Marseillaise to start a quick tour of the earthquake ravaged capital and a French field hospital.

Some Haitians are welcoming France’s new interest in their nation as a counterbalance to the United States, which has sent troops there three times in the past 16 years. But Sarkozy’s visit is also reviving bitter memories of the crippling costs of Haiti’s 1804 independence.

A third of the population was killed in an uprising against exceptionally brutal slavery, an international embargo was imposed to deter slave revolts elsewhere and 90 million pieces of gold were demanded by Paris from the world’s first black republic.

The debt hobbled Haiti, it seemed for life.

A country plagued by natural and unnatural calamities was desperately poor and mismanaged even before a magnitude-7 earthquake smashed up the capital Port-au-Prince on Jan. 12, killing more than 200,000 people and leaving more than a million homeless.

New era for relations?
Haitian politicians this week diplomatically skirted the question of French reparations — a demand put to Paris by ousted President Jean-Bertrand Aristide in 2004. That suggests Sarkozy’s four-hour visit could herald a new era.

French officials say Sarkozy will announce details of “a French plan for the reconstruction of Haiti” — if Haitian officials agree. It differs little from proposals from Haitian, U.S. and U.N. officials to decentralize power away from the devastated capital and boost agriculture and tourism.

The trip brings Sarkozy to an island where, French officials acknowledge, fascination with things French duels with strong, lingering resentments.

One official close to the French presidency, briefing reporters in Paris on condition of anonymity, hinted that France is not deaf to calls for reparations, calling Sarkozy’s visit “an occasion to show that France is mobilizing to give Haitians control of their destiny and pay past debts.”

France has already said it was canceling all of Haiti’s 56 million euro ( about $77 million) debt to Paris.

Repaying France for ‘lost property’
In 1825, crippled by the U.S.-led international embargo that was enforced by French warships, Haiti agreed to pay France 150 million francs in compensation for the lost “property” — including slaves — of French plantation owners.

By comparison, France sold the United States its immensely larger Louisiana Territory in 1803 for just 60 million francs. The amount for Haiti was later lowered to 90 million gold francs.

Haiti did not finish paying the debilitating debt — which was swollen by massive interest payments to French and American banks — until 1947.

But Haiti’s wealth already was destroyed. It had been the world’s richest colony, providing half the globe’s sugar and other exports including coffee, cotton, hardwood and indigo that exceeded the value of everything produced in the United States in 1788.

By the early 1780s, half of Haiti’s forests were gone, leading to the devastating erosion and extreme poverty that bedevils the country today.

France’s other former colonies in the region — Guadeloupe, Martinique, St. Martin, St. Barts and Guiana (in South America) — all have voted to remain part of France and send legislators to the French parliament.

Source (article): MSNBC

Source (picture): ENGLISH.PEOPLE, ENJOYFRANCE

On this day in Paris, France, some of the most powerful people in the world meet to begin the long, complicated negotiations that would officially mark the end of the First World War.

Leaders of the victorious Allied powers–France, Great Britain, the United States and Italy–would make most of the crucial decisions in Paris over the next six months. For most of the conference, U.S. President Woodrow Wilson struggled to support his idea of a “peace without victory” and make sure that Germany, the leader of the Central Powers and the major loser of the war, was not treated too harshly. On the other hand, Prime Ministers Georges Clemenceau of France and David Lloyd George of Britain argued that punishing Germany adequately and ensuring its weakness was the only way to justify the immense costs of the war. In the end, Wilson compromised on the treatment of Germany in order to push through the creation of his pet project, an international peacekeeping organization called the League of Nations.

Representatives from Germany were excluded from the peace conference until May, when they arrived in Paris and were presented with a draft of the Versailles Treaty. Having put great faith in Wilson’s promises, the Germans were deeply frustrated and disillusioned by the treaty, which required them to forfeit a great deal of territory and pay reparations. Even worse, the infamous Article 231 forced Germany to accept sole blame for the war. This was a bitter pill many Germans could not swallow.

The Treaty of Versailles was signed on June 28, 1919, five years to the day after a Serbian nationalist’s bullet ended the life of Austrian Archduke Franz Ferdinand and sparked the beginning of World War I. In the decades to come, anger and resentment of the treaty and its authors festered in Germany. Extremists like Adolf Hitler’s National Socialist (Nazi) Party capitalized on these emotions to gain power, a process that led almost directly to the exact thing Wilson and the other negotiators in Paris in 1919 had wanted to prevent–a second, equally devastating global war.

HISTORY.COM
Date: 2009-01-18

On this day in 1895, the world’s first commercial movie screening takes place at the Grand Cafe in Paris. The film was made by Louis and Auguste Lumiere, two French brothers who developed a camera-projector called the Cinematographe. The Lumiere brothers unveiled their invention to the public in March 1895 with a brief film showing workers leaving the Lumiere factory. On December 28, the entrepreneurial siblings screened a series of short scenes from everyday French life and charged admission for the first time.

Movie technology has its roots in the early 1830s, when Joseph Plateau of Belgium and Simon Stampfer of Austria simultaneously developed a device called the phenakistoscope, which incorporated a spinning disc with slots through which a series of drawings could be viewed, creating the effect of a single moving image. The phenakistoscope, considered the precursor of modern motion pictures, was followed by decades of advances and in 1890, Thomas Edison and his assistant William Dickson developed the first motion-picture camera, called the Kinetograph. The next year, 1891, Edison invented the Kinetoscope, a machine with a peephole viewer that allowed one person to watch a strip of film as it moved past a light.

In 1894, Antoine Lumiere, the father of Auguste (1862-1954) and Louis (1864-1948), saw a demonstration of Edison’s Kinetoscope. The elder Lumiere was impressed, but reportedly told his sons, who ran a successful photographic plate factory in Lyon, France, that they could come up with something better. Louis Lumiere’s Cinematographe, which was patented in 1895, was a combination movie camera and projector that could display moving images on a screen for an audience. The Cinematographe was also smaller, lighter and used less film than Edison’s technology.

The Lumieres opened theaters (known as cinemas) in 1896 to show their work and sent crews of cameramen around the world to screen films and shoot new material. In America, the film industry quickly took off. In 1896, Vitascope Hall, believed to be the first theater in the U.S. devoted to showing movies, opened in New Orleans. In 1909, The New York Times published its first film review (of D.W. Griffith’s “Pippa Passes”), in 1911 the first Hollywood film studio opened and in 1914, Charlie Chaplin made his big-screen debut.

In addition to the Cinematographe, the Lumieres also developed the first practical color photography process, the Autochrome plate, which debuted in 1907.

Date: 2008-12-28
HISTORY.COM

Just after midnight on Christmas morning, the majority of German troops engaged in World War I cease firing their guns and artillery and commence to sing Christmas carols. At certain points along the eastern and western fronts, the soldiers of Russia, France, and Britain even heard brass bands joining the Germans in their joyous singing.

At the first light of dawn, many of the German soldiers emerged from their trenches and approached the Allied lines across no-man’s-land, calling out “Merry Christmas” in their enemies’ native tongues. At first, the Allied soldiers feared it was a trick, but seeing the Germans unarmed they climbed out of their trenches and shook hands with the enemy soldiers. The men exchanged presents of cigarettes and plum puddings and sang carols and songs. There was even a documented case of soldiers from opposing sides playing a good-natured game of soccer.

The so-called Christmas Truce of 1914 came only five months after the outbreak of war in Europe and was one of the last examples of the outdated notion of chivalry between enemies in warfare. In 1915, the bloody conflict of World War I erupted in all its technological fury, and the concept of another Christmas Truce became unthinkable.

HISTORY.COM
Date: 2008-12-25

On this day in 1888, Dutch painter Vincent van Gogh, suffering from severe depression, cuts off the lower part of his left ear with a razor while staying in Arles, France. He later documented the event in a painting titled Self-Portrait with Bandaged Ear. Today, Van Gogh is regarded as an artistic genius and his masterpieces sell for record-breaking prices; however, during his lifetime, he was a poster boy for tortured starving artists and sold only one painting.

Vincent Willem van Gogh was born on March 30, 1853, in the Netherlands. He had a difficult, nervous personality and worked unsuccessfully at an art gallery and then as a preacher among poor miners in Belgium. In 1880, he decided to become an artist. His work from this period–the most famous of which is The Potato Eaters (1885)–is dark and somber and reflective of the experiences he had among peasants and impoverished miners.

In 1886, Van Gogh moved to Paris where his younger brother Theo, with whom he was close, lived. Theo, an art dealer, supported his brother financially and introduced him to a number of artists, including Paul Gauguin, Camille Pisarro and Georges Seurat. Influenced by these and other painters, Van Gogh’s own artistic style lightened up and he began using more color.

In 1888, Van Gogh rented a house in Arles in the south of France, where he hoped to found an artists’ colony and be less of a burden to his brother. In Arles, Van Gogh painted vivid scenes from the countryside as well as still-lifes, including his famous sunflower series. Gauguin came to stay with him in Arles and the two men worked together for almost two months. However, tensions developed and on December 23, in a fit of dementia, Van Gogh threatened his friend with a knife before turning it on himself and mutilating his ear lobe. Afterward, he allegedly wrapped up the ear and gave it to a prostitute at a nearby brothel. Following that incident, Van Gogh was hospitalized in Arles and then checked himself into a mental institution in Saint-Remy for a year. During his stay in Saint-Remy, he fluctuated between periods of madness and intense creativity, in which he produced some of his best and most well-known works, including Starry Night and Irises.

In May 1890, Van Gogh moved to Auvers-sur-Oise, near Paris, where he continued to be plagued by despair and loneliness. On July 27, 1890, he shot himself and died two days later at age 37.

HISTORY.COM
Date: 2008-12-23